Mr. Bungle - Wikipedia. Mr. Bungle was an American experimental rock band from Northern California. Known for a highly eclectic style, the band often cycled through several musical genres within the course of a single song, including heavy metal, avant- garde jazz, ska and disco.[1. Many Mr. Bungle songs had an unconventional structure and utilized a wide array of instruments and samples. Live shows often featured members dressing up (even hiding their identities with masks earlier in the band's career) and an array of cover songs. The band was founded in Eureka, California during 1. Pee- wee Herman. HBO special.[1.

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Mr. Bungle released four demo tapes in the mid- to- late 1. Warner Bros. Records and releasing three full- length studio albums between 1. Watch Report 51 Online Freeform.

The band toured in 1. Although Mr. Bungle went through several line- up changes early in their career, the longest- serving members were vocalist Mike Patton, guitarist Trey Spruance, bassist Trevor Dunn, saxophonists Clinton "Bär" Mc.

Kinnon and Theo Lengyel, and drummer Danny Heifetz. Members were based in San Francisco during the band's tenure with Warner Bros.[1. History[edit]Early days (1. Mr. Bungle formed in 1. Eureka, California, while the members were still in high school. The band initially consisted of Trevor Dunn, Mike Patton, Trey Spruance, Theo Lengyel, and Jed Watts.

Watts was subsequently replaced by Hans Wagner, and then by Danny Heifetz, while Clinton "Bär" Mc. Kinnon joined in 1. The band's name was taken from Lunchroom Manners, a 1.

Pee- wee Herman Show. HBO special in the early 1. In it, an elementary school class watch a puppet show about an ill- mannered boy named Mr. Bungle. The short film was a very straight- laced attempt to teach children good behavior, concluding that "a Mr. Bungle wouldn't have many friends." The version featured on The Pee- wee Herman Show had a laugh track added, which gently ridiculed the strict code of conduct promoted in the film.[1. In various interviews, the band members noted that one reason they chose the Mr. Bungle moniker was because they identified with the Mr.

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Bungle character. This was due to the intense feelings of isolation they experienced while growing up in Eureka, given that the rest of the community bullied them and treated them as outsiders.[1. This was especially true of Trey Spruance, who noted that the treatment he received was what motivated him to pursue music. Spruance recollected,“I was, well, I was listening to a lot of Devo actually, in the early, very early eighties. Like nineteen- eighty, nineteen- eighty one. I was very young.

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And, uh, I became kinda fanatical about them. And I was living in, uhhh, a redneck town. Where… in Eureka, yeah, where everybody’s wearing AC/DC shirts and partying and stuff. And I would wear, I, uh, I w— I sent away, to Dev—, the Devo fan club, to get the energy dome, the red thing. And so I wore that to school with a couple of friends, and we got beat up so bad, you know, stuffed into garbage cans.

And uh… I think it was, I think it was at the bottom of the ba— garbage can, with my face, like, in the garbage, when I realized I, I had to be a musician. Cause I was gonna, I was gonna get those people back somehow. I went through a sl— a period where I thought I would probably be a serial killer, or something like that. It made sense; I became like, an environmental terrorist for a while too. Um, but, it really was… music was going to be the career for me.

Cause environmental terrorism is effective in some things, but it’s not so effective on others. And being a serial killer doesn’t really do anybody any good. So, my choice ended up being music.””— Trey Spruance[2. Mr. Bungle emerged after its members were kicked out their respective bands. It was kinda like a merger between two bands," Mike Patton recalled. One really horrible gothic metal band, which our guitarist and original drummer were in, and one really horrible metal band which did Metallica covers, which is the one Trevor and me came from."[2. Mr. Bungle initially described themselves as a death metal band, but also dabbled in speed metal, thrash metal, and hardcore punk.

And within a year of formation, the band expanded their sound to include ska. Trevor Dunn noted that, "After about a year we got tired of playing speed metal and wanted to do something a little more creative. So we just stopped and started writing our own style of music, which was influenced by bands like Camper Van Beethoven, Oingo Boingo, Bad Manners and kind of skafunk- ish oriented stuff. Then we added a two- piece horn section and a new drummer, so now we don't really have any kind of limit on the music we play."[2. Trey Spruance corroborated this.

When I was 1. 5, I was in a death metal group," Spruance reminisced. We had this idea that we were going to play a bunch of ska tunes for a bunch of metalheads. We just had this idea, you know: ‘Okay, we’re going to play this ska music, and that’ll be amazing.’ Half of the audience hated us, but there was definitely a joy in confronting that wall between styles.”[2. Given that the band's background was exclusively in heavy music at that point, some band members experienced difficulties expanding their sound early on. In particular, Spruance noted that Mike Patton had to teach him to play the ska stroke for a performance at their high school talent show.

Spruance later explained, "Oh, what I remember was.. And so this was our first time trying to ever play ska. And I'd never played.. I'd never played..

I didn't know how to do that skanking guitar shit at all. But Patton could do, like with one finger on the thread mark, he could do the, the rhythmic part of it pretty well. Like, he could.. he taught me how to do it. So, I just sort of awkwardly..

I would fill in and make the chord and he actually played guitar, but would just kind of use it percussively. And we played these Camper Van Beethoven songs, and I don't.. I dunno if we played The Specials, but that's what we were listening to."[2. Mr. Bungle played their first show during November 1. Bayside Grange Hall.[1.

The band's first demo, The Raging Wrath of the Easter Bunny, was recorded during Easter of 1. It featured a fast, low- fi death/thrash sound, with touches of ska.[2. Instruments utilized on the album included a train whistle, saxophone, bongos and a kazoo. The Raging Wrath of the Easter Bunny was followed in 1. Bowel of Chiley demo; it featured a much greater ska presence, as well as the sounds of jazz, swing and funk.

Bradley Torreano noted at All.